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February ’26 Update

This is the first of an (in)frequent series of updates on what we’ve been up to.

The big news is that, administratively, January was an exciting month — it’s not often you get a chance to say that! We have now formally merged with the dormant Museum of Theatre Technology. This means we are now both a registered charity (No. 328189) and a Limited Company (No.02375414 ), formalising our organisation and, we hope, opening more doors in the future, particularly for preserving historic equipment and also improving our financial position. 

Many thanks are due to those who recognised the need to preserve our old technology including Roger Fox, Joe Aveline, Fred Bentham, Iain Macintosh, and others, who started the ball rolling with MOTT, and to David Wilmore of Theatresearch, who kept the it on life support for several years until we were able to take over the reins.

Mike has been busy restoring several recent additions –  a scissor arc by  F J Borland from Leeds possibly from a magic lantern and a Strand Portable 6 dimmer. These are hardly portable at 100Kg and take up a lot of space in a kitchen!

Scissor Arc Components under restoration
Strand Portable 6

After eight months of negotiations, we have acquired a Rank Strand green Patt 252 effects projector, which has now been added to our extensive stocks of projection equipment. It is already apparent that there are a number of small component-level design changes compared with the 1960s version. Further investigation will document these differences, adding to our records.

Rank Strand green Patt 252

Upcoming Projects

Inventory
With recent donations, the merging of existing collections, and the inclusion of the Enlightenment Initiative collection, it is clear that a proper inventory of our artefacts is increasingly important. This will allow us to understand what we hold, manage restorations effectively, and respond to offers of equipment. We have looked at Excel-based options and customised apps; if anyone has experience of specialist museum inventory packages, or knows of other (preferably free) options, please let us know.

Furse Paperwork

Last summer we began cataloguing and scanning our archive of Furse literature, which runs to hundreds of documents, so that it can be included on Jon Primrose’s Theatrecrafts website (www.theatrecrafts.com). After completing an initial tranche, this work was paused in the autumn and has now restarted. Once everything is online, look out for further Furse-related activity.

TAT Exhibition

A small exhibition at Nottingham Trent University, focusing on the Torpedo Attack Teachers and research into their development and deployment, has been requested and is scheduled to open in April ’26.

Rescues

Several companies and venues currently clearing period equipment have been in touch with us, and we anticipate a number of rescues in the coming months.

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Happy New Year!

2026 will be a pivotal year for the Technical Theatre Preservation Group, lots of hopefully interesting news coming soon…
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Ian Grey

Screenshot

Ian started backstage as an L/X casual at many Tyneside venues in his youth before a job in telecommunications.  A  mid-career move to CCT Theatre Lighting found him as a spotlight salesman with  Silhouettes, controls and projects. Post-CCT he continued to crew on a semi-pro basis, notably with Just FX the pyro people.

Ian is retired now after a long career mostly in Telecommunications which included software support, phone systems and data networks.

During his freelance contractor years with ISDN installed in the home office he started up four automated mailing lists, two of which were entertainment technology related (Tabslist and Cinemation). The mailing lists were eventually eclipsed by more feature-rich online forums such as Blue Room, however Ian continues to keep an eye on the lively Facebook group ‘British Entertainment Technology Archaeology’ (BETA) which has nearly 6,500 members.

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Who are the TTPG?

Mike Hall, Shane Guy and Ian Grey have very different backgrounds but share a love for stage technology. Mike freelances getting big shows on whilst Shane is working on his PhD and Ian is now (mostly) retired but very active online. They all have a fascination for backstage, particularly lighting, effects and stage machinery.